Kaviyoor Ponnamma is an Indian film actress who appears in Malayalam films and television. She began her career performing in theatre dramas before foraying into cinema. She has also acted in TV serials and commercials and has playback singing credits in few films. Mandan Kunju Malayalam Serial. I think we interviewed three kids that day and we rejected them all. A friend of theirs by name Anoop later sent in his resume.

Mathar Ramakrishnan Gopakumar (born 24 September 1951) is an Indian film, television and theatre actor from Kerala. He began his acting career through Malayalam stage plays and later in tele-films and television serials and into films. In his career spanning over four decades, Gopakumar has acted in a wide variety of roles and has worked in both art house and mainstream films.

He has won two Kerala State Film Awards and five Kerala State Television Awards for acting.

Early life[edit]

M. R. Gopakumar was born on 24 September 1951 in Thiruvattar, Kanyakumari district of Tamil Nadu, India, as the elder son of N. Ramakrishnan Nair, who a school teacher in Thiruvattar High School, and B. Kamalabai Amma.^[1] Gopakumar did his primary school education in Thiruvattar Lower Primary School and completed his high school education from Thiruvattar High School. His did his pre-university course at Christian College, Marthandam and joined Pioneer Kumaraswamy College, Nagercoil and graduated with a Bachelor of Commerce degree. He later joined for post-graduation Master of Commerce at Mar Ivanios College, Thiruvananthapuram. He migrated to Thiruvananthapuram when he joined Mar Ivanios college.

After earning his master's degree, Gopakumar joined Indian government service in 1973 as an auditor with P&T Audit under Controller and Auditor General of India. Post bifurcation of this department, Gopakumar moved into the Postal Accounts Department under Government of India. He retired from Postal Accounts as an Assistant Accounts Officer in September 2011.

Career[edit]

Stage plays[edit]

M. R. Gopakumar started his acting career as an amateur theatre actor in 1974 in G. Sankara Pillai's drama Rakshapurushan. The play was staged by the recreation club members of P&T Audit. This helped Gopakumar identify his passion for acting and he found himself being a part of five more plays staged by the club. Towards the late 1970s, a few young aspiring artists in Thiruvananthapuram came together to form an amateur drama troupe named Natyagruham. Gopakumar was one of the founding members of Natyagruham. The troupe that was headed by Narendra Prasad soon became very popular in Thiruvananthapuram. The association with like-minded artists in Natyagruham helped Gopakumar polish his acting skills. During the next 15 years with the troupe, he associated himself with several stage plays that won the accolades of many art-lovers across Kerala.

Television[edit]

In 1986, Doordarshan started telecasting tele-films in Malayalam-language under their own production. Kunjayyappan was one of the first Malayalam tele-films produced and telecasted by Doordarshan. Gopakumar played the title role.^[2] In 1988, Doordarshan aired a 13-episode television serial Mandan Kunchu. Gopakumar played an important role alongside Nedumudi Venu and Kaviyoor Ponnamma. Gopakumar's professional acting career took off from then and acted in around 100 serials and tele-films.

Feature films[edit]

Gopakumar's first feature film appearance was in the 1989 drama Mathilukal directed by Adoor Gopalakrishnan. The film wan an adaptation of Vaikom Muhammad Basheer's novel of the same name. Gopakumar played the role of a random prison inmate who explains the story of a hole on the prison wall to his fellow inmate, the lead character, Basheer. His role in Mathilukal was not significant enough to be noticed by many.

Although, Gopakumar's acting prowess did not go unnoticed by Adoor Gopalakrishnan when he happened to watch a stage play that Gopakumar took part in. Adoor Gopalakrishnan called Gopakumar again in 1993, this time to play the title role in Vidheyan, an adaptation of the novel Bhaskara Pattelarum Ente Jeevithavum by Paul Zacharia. This turned out to be the big break that Gopakumar was looking for in his career. His performance in Vidheyan earned him a Kerala State Film Award – Special Jury Award.

In 1999, he won Kerala State Film Award for Second Best Actor for his role in Gopalan Nairude Thaadi.

Personal life[edit]

Gopakumar has been married to L. Indira Devi since 1975. The couple has a daughter – Soumya, and a son - Sreejith.

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In the media[edit]

In 1996, when Hollywood director Steven Spielberg was looking for an Indian actor to play a role in The Lost World: Jurassic Park, his casting agents in India were directed towards M. R. Gopakumar by Adoor Gopalakrishnan himself. After multiple rounds of discussions and reviews of acting clips, Gopakumar was selected to play the role of the Indian character. The news attracted national attention almost immediately, as Gopakumar was set to become the first Indian actor to act in an American film (Hollywood). However, Gopakumar was unable to join the production unit in Los Angeles as his work permit could not be processed within time. The role in the movie was later played by a foreign actor.^[3]

Filmography[edit]

Gopakumar has acted in more than 50 feature films and around 100 tele-films and television serials. He is still active in both professional and amateur plays.

Films[edit]

• Pulimurugan (2016)
• Mallanum Mathevanum
• Chaayilyam (2014)
• Thekku Thekkoru Deshathu
• Kattum Mazhayum
• White Paper
• Snehikkan Oru Manassu
• Nirnnayakam (2015)
• Chewing Gum (2013)
• Pigman (2013).. Madhavan
• Manikkya Thamburattiyum Christmas Karolum (2013)
• My Fan Ramu (2013)
• Ozhimuri (2012)
• Karmayogi (2012)
• The Last Vision (2012)
• Puthiya Theerangal (2012)
• Adaminte Makan Abu (2011)
• Ee Dhanya Muhoortham (2011)
• Priyappetta Nattukkare (2011)
• Punyam Aham (2010)
• The Thriller (2010)
• Thathwamasi (2009)
• Oru Pennum Randaanum (2008)
• De Ingottu Nokkiye (2008)
• Madampi (2008)
• Malabar Wedding (2008)
• Vilapangalkkappuram (2008)
• Naalu Pennungal (2007)
• Shyaamam (2006)
• Ammathottil (2006)
• Mahha Samudram (2006)
• Out of Syllabus (2006)
• Nerariyan CBI (2005)
• Udayon (2005) .. Chackochi
• Nottam (2006)
• Paadam Onnu: Oru Vilapam (2003)
• Mazhanoolkkanavu (2003)
• Bheri (2002)
• The Gift of God (2001)
• Jeevan Masai (2001)
• Neythukaran (2001)
• Mookkuthi (2001)
• Mazhanoolkkanavu (2000)
• Thottam (2000)
• Susanna (2000)
• Neelathadaakatthile Nizhalppakshikal (2000)
• Devadasi (1999)
• Gaandhiyan (1999)
• Gopalan Nairude Thaadi (1999)
• Manthrikumaaran (1998)
• Snehadoothu (1997)
• Bhoothakkannadi (1997)
• Kalyaanakkacheri (1997)
• Oru Neenda Yathra (1996)
• Vidheyan (1994)
• Galileo (1994)
• Naaraayam (1993)
• Ardram (1992)
• Mathilukal (1990)

Television[edit]

Awards[edit]

Kerala State Film Awards

• 1993: Special Jury Award for Acting – Vidheyan
• 1999: Second Best Actor – Gopalan Nairude Thaadi

Kerala State Television Awards

• 1994: Best Actor – Koodaaram
• 1998: Best Actor – Pattolapponnu
• 1999: Best Actor – Pulari, Baalyakaala Smaranakal
• 2004: Best Supporting Actor – Fiction
• 2008: Second Best Actor – Aranaazhika Neram

Asianet Television Awards

• 2019: Best actor in a character role - Neelakkuyil (TV series)

References[edit]

1. ^https://in.bookmyshow.com/person/m-r-gopakumar/IEIN003217.Missing or empty title= (help)
2. ^'Interview with MR Gopakumar'. mangalam.com. Retrieved 1 April 2015.
3. ^http://indiatoday.intoday.in/story/m-r-gopakumar-first-indian-to-star-in-steven-spielberg-film-a-lost-world/1/283119.html

External links[edit]

• M. R. Gopakumar on IMDb

With their Hidatsa friends and neighbors, the Mandan Indians lay at the center of trade along the Upper Missouri River, inhabiting what is now central North Dakota. At the time of Lewis and Clark’s arrival, they lived in two villages, Matootonha and Rooptahee*. Matootonha was located on the western bank of the Missouri, while Rooptahee was directly north, on the river’s eastern bank. The Corps of Discovery reached the Mandan villages in the fall of 1804 and stayed the winter in Fort Mandan, across the river from Matootonha.

In Mandan culture, the village was the focus of political, economic and ceremonial activity. It represented a collective of households, all striving together to better each family, clan and the village itself. A sacred cedar post stood at the center of the Mandan village, symbolizing the tribe’s primary cultural hero. The post was surrounded by an open plaza, and at the north end of the plaza was the village’s primary medicine lodge. Forty or fifty additional lodges populated the plaza. The more powerful a family was, or the more significant that family’s ceremonial duties were, the closer its lodge would be to the center. On average, 10 people lived in each lodge. Throughout most of the year, the Mandans lived in these permanent lodges. But in the winter, to avoid brutal storms, they constructed temporary lodges in wooded, low-lying areas adjacent to the river.

In fields that surrounded the villages, the Mandans grew their harvests. Crops included corn, beans, squash and tobacco. When the fall came, a diversity of Indian tribes and Europeans descended on the Mandan villages, bringing a rich and varied assortment of goods. At the high point of trade, Crees, Cheyennes, Assiniboins, Crows and even enemy Teton Sioux could be counted among the attending delegations. Everything from meat products to horses to musical instruments was exchanged for Mandan corn.

When the Corps of Discovery entered their world in October 1804, the Mandans seemed receptive to the goals of the expedition. Lewis and Clark’s hope for a Mandan peace with the Arikaras and plan to reside nearby for the winter months were accepted and agreed to by the Mandan leaders. Still, in spite of peace talks between the Arikaras and the Mandans that were orchestrated by the expedition, conflict broke out again between the two tribes as winter approached.

In contrast, relations between the Mandans and the Corps were friendly throughout the duration of the expedition’s stay. The Mandans supplied the Americans with food throughout the winter at their newly constructed home, Fort Mandan, in exchange for a steady stream of trade goods. When food became scarce, members of the Corps accompanied the Mandans on a buffalo hunt. Sheheke and Black Cat, chiefs from Matootonha and Roohaptee, met often with Lewis and Clark, and the Corps participated in a host of Mandan ceremonial rituals. As other tribes unfamiliar with black people had been before, the Mandans were mesmerized by the color of York’s skin, and attributed great spiritual power to him because of it.

Finally, when spring came, the Mandans bid the expedition farewell as the Americans continued on their way.

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*Mispronounced by Lewis and Clark, these villages now are known respectively as Mitutanka and Nuptadi.